Marcel Winatschek

Freedom Over Convenience

I’ve never been cool. Not in kindergarten, not at school, not at work. While everyone around me adored the newest American hip-hoppers, wore Nike Air Max, and took drugs whose names I’d never heard, I kept to my small nerdy cosmos: Listening to the Chrono Trigger soundtrack on an iPod falling apart, wearing Superstars for fifteen years, and feeling extreme for taking a single drag. For music, series, or films I lived by torrents: Monthly indie-rock playlists via download links, anime via RSS, and movies from a university shared drive. Life felt nice and simple. When Spotify grew I ignored it. Why pay to rent music I don’t own and mostly won’t listen to? I dismissed it with a simple Nope.

Embracing the Escapism

Sometimes I wished I could muster the courage to leave everything behind, lock myself away forever in an apartment, and devote the rest of my life to a single online role-playing game. In the midst of an enchanted fantasy world full of wonders, dreams and secrets I would transform from a peasant boy into a heroic warrior, find unimaginable treasures and fight monsters, and band together with other outcasts bored with real life to form a sworn adventuring party. My days would be governed by quests, rituals, and leveling, by the pulse of raids, and the slow comfort of companionship the real world denied me. My existence would turn into a digital meaningfulness whose end would arrive only when the servers were switched off.

Happiness Between Two Buns

Japan is a country full of treats. Those who want to fill a hungry stomach efficiently and cheaply can find sushi, tempura, and ramen on every corner, in different price ranges, in hidden restaurants or crowded supermarkets. But Japan would not be Japan if it hadn't absorbed other culinary cultures and made them its own. Cities brim not only with steaming noodle shops and futuristic chains where raw fish on rice travels past on conveyor belts, but also offer delights from Spanish and Italian kitchens or, for those who prefer hearty, fatty, generous portions, the American culinary world. You encounter these options everywhere, from tiny stalls and family-run izakayas to high-end restaurants and bustling food halls in the most unexpected neighborhoods.

For the Alliance

My journey begins in the Northshire Valley, enclosed by high mountains, somewhere in the thickly wooded Elwynn Forest. Before me stands not only the abbey of the local brotherhood but also an adventure that will take me into frozen deserts, bubbling volcanoes, and creepy ghost towns. When I meet my friends, masquerading as knights, thieves, and wizards, behind the towering gates of the royal fortress Stormwind, and outfit myself there with keen blades, shining shields, and magical potions, I can hardly rein in my anticipation. The scent of pine and old stone, the flutter of banners, and the clanking of armor all heighten the thrill. One thing is certain: Whatever challenges await in this digital wonderland, we will endure and overcome them together.

My Summer in Japan

Summer here in Japan is slowly drawing to a close, though no one has informed the sun. It remains so hot and muggy that every step outdoors becomes a sweaty ordeal, at least when I dare to leave the house in broad daylight. Even so, over these past months I’ve tried to see, experience, and take in as much as I can. After all, every minute in this country, in this adventure, is precious. Sooner or later I’ll be back on a plane, heading home, and any moment I haven’t used to the fullest will feel wasted. I want to keep that potential regret small, so I push myself to go, to look, to listen, to be present, and to savor what this place offers.

Rebellious Girls

The Japanese music label Wack, itself belonging to the J-pop giant Avex, is famous for its eccentric groups, among them BiSH, EMPiRE, and Gang Parade. Founded in 2014 by Junnosuke Watanabe, the company declared a clear mission: To offer a proper stage to artists who are a little more experimental, a little stranger, and not immediately comfortable inside conventional idol frameworks. Crucially, that support doesn’t mean indifference to results. Even while foregrounding otherness and odd textures, Wack aims its performers toward success and plans their activities with that outcome in mind. The label’s identity sits between provocation and pragmatism, pairing freedom to try unusual ideas with careful presentation and smart promotion so that unorthodox performers can still reach large audiences across Japan.

My Favorite Cinema

The other night over dinner, a friend asked why I love lesser-known films so much. Her favorites are American action blockbusters like Die Hard, The Transporter, and the high-octane The Fast and the Furious series with Vin Diesel, Paul Walker, and Michelle Rodriguez, while my patchy watchlist includes titles like Nightcrawler, Melancholia, and My Small Land. My quick, perhaps rash, answer was that I enjoy movies that lodge in my memory, that I might still recall years later because they moved me, fascinated me, or taught me something. Maybe it’s simply that I was in love with someone in the cast. I chase the afterglow: A scene that lingers, a line that won’t fade, a feeling that taps me on the shoulder after the credits roll.

Arrow in the Knee

Staggering from the cave on my last reserves, I let my eyes adjust to the harsh sunlight as a vast, mountain-studded snowscape unfurls before me. In towns clasped by timber and stone, merchants, thieves, and kings ply their trades. Dragons, werewolves, and vampires wake. Bright hoards and darker magics hide from the gaze of a budding civil war. I wipe fresh bear blood from my skin and set out for the next village. It is not the first time I have roamed these forests, nor will it be the last. Once more I have returned. To the valleys of Skyrim, where the wind bites like iron and distant watchtowers blink with fire as paths fork, promising danger, coin, and stories for the stubborn and brave.

Magazine for City Boys

Although my chest houses the heart of a digital minimalist and light-footed traveler who thinks in bits and bytes and has gradually moved the baggage of his not-so-young life into the cloud, I have nonetheless kept a soft spot for printed media. Whether books, magazines, or newspapers, something happens to me when I hold these riotously colorful works of art in my hands and can not only look at them but also feel them, smell them and, to a certain extent, even hear them. I buy them sometimes fresh off the press at the kiosk or happily second-hand, always knowing that I will take their secrets into myself and then release them back into the world before someone else can fall in love with them.

After the Rain

The weather over the past few months here in Kumamoto seems to recognize only two possible settings. Either it strives to mimic the lava-laced dungeons of hell and cook us alive, or it bombards us so mercilessly with rain, gales, and typhoons that building an ark seems the logical step for ferrying ourselves, and a few stray animals, to safety. Thanks to climate change, or rather to those who deny it, the weather has digivolved into my personal arch-enemy, and I, in turn, into one of those people who cannot help, at every opportunity these days, lamenting how awful things already are and how much worse they are likely to become - assuming, of course, there is any future left for us at all, for anyone paying attention.